- Executive Director
Nan Barnett is a new play developer and producer and an advocate for theater-makers and the theater they make. She is currently the Executive Director of National New Play Network, the country's alliance of 110 not for profit, professional theaters with a dedication to the development, production, and continued life of new plays and the pioneering of programs and innovations for the new play sector.
During her previous tenures on NNPN’s Executive Committee and as its President she worked to create and implement several of the organization’s revolutionary initiatives, including the acclaimed NNPN Rolling World Premieres and NNPN Playwright and Producer Residency programs. Nan took over the Network’s administration full time in 2013. Since then she has led NNPN through the development and launch of its field-altering database, the New Play Exchange, earned The Washington Post’s 2015 Award for Innovative Leadership in the Theater Community, tripled its membership, and dramatically increased funding for the Network. She is currently spearheading collaborative partnerships between NNPN and, among others, American Theatre Wing, Eugene O’Neill Theater Center, The Kennedy Center, and Theatre Development Fund, in addition to strengthening its other successful programs and projects.
She was a founding company member and the long-time Managing Director of the nation’s largest regional theater producing exclusively new and developing plays, Florida Stage. During her twenty-four seasons there she oversaw the development and production of hundreds of new plays and musicals for both emerging and veteran playwrights including Israel Horovitz, Lee Blessing, William Mastrosimone, Tammy Ryan, Steven Dietz, Jeffrey Hatcher, Catherine Trieschmann, Christopher McGovern, Deborah Zoe Laufer, and Nilo Cruz. Nan is the winner of the Theatre League of South Florida’s Remy Award for service to the theatrical community and the Fallon Award for Excellence from the Florida Professional Theatre Association.
A graduate of the North Carolina School of the Arts Professional Actors Training Program, Nan was a three-time nominee and twice won South Florida’s Carbonell Award as an actress.She was a member of the inaugural Helen Hayes Awards’ New Play Panel and is on the Artistic Council of the Eugene O’Neill Theater Center and PlayPenn. Nan regularly leads board and artist training sessions across the country about the impact and business of new works, field innovation, gender parity, and a life in the theater, and is a frequent featured speaker at events ranging from playwright workshops to national convenings including the CityWrights Playwrights Conference, Florida Repertory Theatre's New Voices, the Denver Center New Play Summit, Theatre Communications Group’s Conference, American College Theater Festival, NY’s Good to Go Summit, The Women in Theater Conference, and the Austin Film Festival.
Nan was a Coordinating Producer for 2015's nationally acclaimed Women’s Voices Theater Festival in the nation's capital region, where she currently resides, and produced its second iteration and the inaugural International Women's Voices Day in 2018.
- Programs Manager
Jordana Fraider serves as Program Manager, bringing experience in development, event planning, and program administration to her role at NNPN, where she arrived after two years in contemporary visual art with (e)merge art fair and CONNERSMITH gallery. A former actor and lifetime patron and practitioner of theatre, Jordana comes to NNPN as an emerging arts manager, dialogue facilitator, and social justice advocate. In addition to her work at NNPN, Jordana facilitates post-show discussions at Associate Member Forum Theatre (Silver Spring, MD), and has served as a freelance facilitator and perfromance dramaturg for The Welders, dog & pony dc, and DC Metro Theatre Arts. For the last 5 years, she served on the board of a small grant-making foundation, the Diverse City Fund, where she managed relationships with former grantees and supported the proposal-writing process for new applicants. Jordana holds a Master’s Degree in Arts Management from American University.
- Producer in Residence
Ryan-Patrick McLaughlin, (RP) is the Producer-Residence at National New Play Network, where he is focusing on data-driven program evaluation and equity, diversity, and inclusion. Outside of the Network, RP works for Flanagan Theater Projects on the 2018 Women's Voices Theater Festival and is the Casting Associate at Mosaic Theater Company of DC. He has also served as the Project Coordinator for Triple Play, a national research project with the Theatre Development Fund and Theatre Bay Area developing and executing new models for creating and sustaining substantive conversations among theatres, audiences, and artists. RP came to D.C. as the Artistic Fellow at Shakespeare Theatre Company. He received his BFA in Theatre from Meadows School of the Arts at Southern Methodist University.
- Project Director, New Play Exchange
Gwydion Suilebhan joined NNPN in 2013. An NNPN alumni playwright, founding member of The Welders, and DC’s representative to the Dramatists Guild, Gwydion is the author of The Butcher, Reals, Abstract Nude, Let X, The Faithkiller and Cracked. His work has been commissioned, produced, and developed by Centerstage, dog & pony DC, the Ensemble Studio Theatre, Forum Theatre, Gulfshore Playhouse, HotCity Theatre, Rorschach Theatre, Source Theater Festival, Theater Alliance, and Theater J. He writes for stage, screen, print, and throughout the blogosphere, including HowlRound and www.suilebhan.com. As a digital strategist, Gwydion has led interactive initiatives for a variety of organizations, including Ford’s Theatre, the Peace Corps, the State Department, the National Wildlife Federation, the Council on Foreign Relations, the Drug Policy Alliance, Zipcar, and the Chronicle of Higher Education. His work has earned significant industry recognition, including two Webby Awards and nominations.
- Communications Coordinator
Jess Hutchinson is a theatre director, dramaturg, and producer. She earned her MFA at UT Austin, where she had the pleasure of collaborating with stellar writers on projects like 381 Bleecker, ‘ratio, Lyla School, 70 Secrets of Marmalade Kittens, 100 Heartbreaks and Enter A Woman, Pretty Enough. As Artistic Director of Chicago’s New Leaf Theatre, her favorite projects included Arcadia, The Dining Room, and world premieres of Burying Miss America, Lighthousekeeping, and The Man Who Was Thursday, as well as the world premiere of Hideous Progeny for LiveWire Chicago Theater. She was proud to be the 2015-16 NNPN Producer in Residence at Kitchen Dog Theater and is a founding member of Austin’s groundswell theatre. More at www.jesshutchinson.com.
- Development Consultant
Christine Stanley is a passionate advocate for the arts, engaging the community and donors in the life of theater, music and the performing arts.
Christine currently serves as the Senior Director of Advancement and Planning at Signature Theatre in Arlington, VA . Christine is also an active fundraising and strategic planning consultant. She is currently working with the National New Play Network. Other projects have included the Washington National Cathedral, where she worked with the Cathedral's artists, fundraising, and communications teams to develop a strategic plan for the expansion of the presentations for the Cathedral’s arts programs. Prior to that, she served as the Director of Development for Washington Performing Arts Society where she led a team of board, volunteers and staff to record-setting revenue achievements in all giving areas.
For five years, Christine served as the director of the Atlanta Symphony Orchestra’s campaign for a new $300 million concert hall. During her tenure, multi-million dollar gifts were secured from leading community philanthropists, foundations, and corporations including Coca-Cola, SunTrust Bank, UPS, and creatively, two leading law firms who partnered to make a $5 million gift. Also while at the Atlanta Symphony, Christine initiated an overhaul of the major and planned giving areas to focus gift officers efforts on leadership giving to support new works, tours, commissions and for special projects.
Christine has additionally served in fundraising and marketing roles at The Phoenix Symphony, Arizona Opera Company, and Colorado Shakespeare Festival. She holds a Master of Fine Arts degree in Theatre Management from Florida State University.